The Martial Arts in Ong Bak
This column will discuss the Martial Arts used in the movie, Ong Bak: The Thai Warrior.
In this film, Ting (Tony Jaa) is an orphan, raised by the kind-hearted monk Pra Kru at Nong Pradu temple. Pra Kru trains Ting in the ancient art of Muay Thai, but insists that Ting promise never to use his skills to cause anyone harm. Instilled by Par Kru with true Buddhist teachings, Ting is determined to follow a good path in life. When the head of Ong-Bak, the village deity has been stolen by drug dealers, he must travel to the big city of Bangkok to retrieve it. On his journey, he will be force to fight but also must follow the path of good.
Phanna Rithikrai, a veteran of Thai action cinema, took Tony under his wing, training him in kung fu and stunt work. Tony also studied Taekwondo, swordplay and gymnastics. His skills became so advanced that he gave demonstrations in Northeast Thailand and China. To prepare for the role, Tony added his native sport to his physical repertoire, and began training in Muay Thai four years ago, specifically for his role in Ong Bak.
Prior to production, Phanna and Tony put together their own stunt team, and painstakingly and painfully choreographed the film’s action sequences. “I focused on the beauty of the classical Muay Thai movements,” reveals Phanna. “I tried to stay true to the integrity of the art, because I knew this would be the first real Thai Boxing film. I wanted every punch and kick to be crystal clear to the audience.”
What makes Ong-Bak: The Thai Warrior so distinctive from the Chinese martial arts films that influenced it is Jaa's unique fighting style: Muy Thai, an ancient form of Thai boxing. "What makes Muy Thai different from other forms of martial arts is that the elbows and knees are used," he explained, going on to tell us about the three different versions. "There's Muy Thai Boran, an ancient form used during wartime that has a lot of culture and tradition involved with it, the kind of fighting you see in 'Ong Bak'," Jaa said. "Then there's a form of stage boxing when it becomes a sport, where the culture and tradition that comes from the various moves disappears because of the rules that become involved with it."
“Every scene serves as a showcase for different movements from classical Muay Thai,” says Prachya. “Originally, when I conceived the film, I didn’t think about using Thai Boxing. Then, when I started working with Phanna and Tony, they shot some videotape footage of the kind of fights they wanted to do. Once I saw these unique Muay Thai movements, I was impressed with the moves, and the fact that Tony could execute them so naturally, without wires or other tricks. That became the ‘style’ for the film’s fight scenes.”
Prachya broke down the different Muay Thai movements in terms of their cinematic application. “Each action has a different purpose,” he reveals. “Some are for counter attacks. Some of them are first strike moves. Some actions, like the guard, are taken to fend off an opponent.” Even the smallest details added to the effect Prachya and his team were aiming for. “If you look at the way Tony holds his fists, it’s different from Chinese kung fu,” says the director, “and it’s different from western boxing. Every time he punches, he straightens the whole arm. You have to watch the fights closely to catch the details in the action. The guard position, the way he stamps the ground, these are all trademarks of Muay Thai.”
The production took great care in finding an appropriate variety of opponents for Ting to fight. One of the most memorable is a hirsute Wildman from the west, ‘Big Bear’. “Big Bear completely disrespects Thai Boxing,” says Prachya of the character. “He wants to challenge all the Thai fighters, and we see him sexually abusing a Thai waitress. Our hero has to defend the pride of the Thai people. The move he uses in that scene is called ‘Bata Loop Pak’, which means ‘Foot Touches Face’. It’s actually a great insult in Thai culture to touch someone with your foot, so this was the perfect gesture for such a rude person.”

“Bata Loop Pak” (Front push kick to the face). In Muay Thai, this technique is a jesture of disgracing your opponent. The head is consider a sacred part of the body in Budisim so when the sole of the feet, the part of the body peope use to walk on dirt is push into someone face, it is sign of great disrespect.
Taken from various sources:
http://www.magpictures.com/distribution/da...roduction_noteshttp://www.comingsoon.net/news/topnews.php?id=8295